Slightly Stoopid: Schools Out For Summer 2018

Slightly Stoopid: Schools Out For Summer 2018

Stick Figure, Pepper

Fri, June 29, 2018

Doors: 4:30 pm / Show: 5:30 pm

$37.50 - $125.00

This event is all ages

Slightly Stoopid
Slightly Stoopid
The Ocean Beach, California-based band formed by multi-instrumentalists Kyle McDonald and Miles Doughty has matured into a versatile musical ensemble consisting of drummer Ryan “Rymo” Moran; percussionist Oguer “OG” Ocon; saxophonist Daniel “Dela” Delacruz; keyboardist Paul Wolstencroft; trumpet and trombone player Andy Geib, and an arsenal of guests that frequent the stage, most notably Karl Denson (Rolling Stones/Greyboy Allstars), Don Carlos, Chali 2na (Jurassic 5) and Rashawn Ross (Dave Matthews Band).

The band’s prolific 2017 schedule has included international shows in South America, Australia, England and the Netherlands, in addition to the 30+ national headlining dates that encompassed the band’s annual outdoor amphitheater tour, titled “Sounds Of Summer 2017,” ranking in Pollstar’s Top 100 Global Tours of Summer 2017. In December 2017, the genre-mashing outfit will host its 4th annual Closer To The Sun festival, a four day gathering of music in an intimate "all inclusive" setting for their hardest core fans and favorite hand selected talent, taking place on the sand in Puerto Morelos, Mexico, amidst the spiritual Mayan Peninsula. The Closer To The Sun festival also represents Slightly Stoopid’s philanthropic side, as the event helps to raise funds for the non-profit charity, Positive Legacy.

Additionally, Slightly Stoopid has generously supported the pediatric cancer organizations Grind For Life and the Sheckler Foundation by teaming with the legendary skateboarder Danny Way for a limited edition custom skate deck/CD fundraising project. Also, the 2017 animated video for their recent single “One Bright Day” (featuring singer Angela Hunte), included an “on-line auction” component utilizing limited edition hand-painted canvases used in the video. The effort helped to provide light to 4 villages associated with the Global Brightlight Foundation, a charitable organization for providing third world villages in need of solar power.

Recently Slightly Stoopid churned out their second live webcast performance with music legend Bob Weir (Grateful Dead) at his TRI Studios complex, a session that yielded live versions of Grateful Dead’s “Franklin’s Tower” and Prince’s “Purple Rain” (the latter recorded at the respectful request of Weir on the morning that witnessed the legend’s unanticipated passing).

An eclectic band when it comes to musical styles as well as collaborations, Slightly Stoopid, now in their second decade of making music, continues to manufacture an energizing and multifaceted sound that has been described as “a spiritual bath of positive party energy.” Look for new music from the band in 2018…
Stick Figure
Stick Figure
From the musical imagination of Scott Woodruff emerges a vibrant sonic soundscape, revealed in the newest Stick Figure release, Set in Stone. As with his previous releases, Set in Stone was written, produced and recorded by Woodruff, a self-taught musician.

An intuitive and accomplished producer, Woodruff crafts authentic artistry from the foundation of roots-dub reggae. Cavernous grooves, sparkling electronic orchestration and thick rhythms; songs and sounds that have incubated in a studio cabin in the woods near Santa Cruz, CA, where Woodruff found solace excavating a foundation and constructing a studio, all in preparation for his most ambitious recording to date. When completed, a brotherhood of hard-jamming musicians delivers this widescreen soundtrack in concert performances of consciousness-altering emancipation.

With Woodruff as the genial on-stage figurehead, Stick Figure concerts are gatherings distinguished by extended improvisational interludes, the mind-manifesting hues of a light show, and the much-anticipated entrance of the band’s canine mascot, a rescued Australian Shepherd, Cocoa The Tour Dog. The release of Set in Stone is a culmination of a journey that has seen the producer go from a mysterious figure to becoming a major player in the scene, virtually inventing a melodic subgenre, at a time reggae is reaching new heights of popularity.
Pepper
Pepper
Ohana:The Hawaiian word for family, which is used to convey the sense of togethernessthat transcends blood ties.

For Pepper paying homage to theirroots is essential over a decade in to their celebrated career. The SouthernCalifornia trio, who formed in 1997 and moved to the mainland from the threemusicians’ hometown of Kailua-Kona, Hawaii in 1999, know that where they comefrom should always be infused in the music they create. On Ohana, the group’s seventh full-length album (4/29/16, LAW Records),Pepper embraces the feelings and sounds that encouraged them to become a bandin the first place.

“Over our past few albums, we had beendeparting from our original sound and exploring new directions,” Bret notes.“On this album, we wanted to come back to our classic style and revisit ourroots. The writing and recording process was a conscious effort to do that.”

“We wanted to strip the band down toits natural state,” Kaleo adds. “We’ve always been athree-piece band with good songs and energy and our goal was to showcase that.We’re all were really pleased with how the music came out and how it conveysthe strengths of our band.”

It was important to the musicians toself-produce Ohana, which marks thefirst time Pepper has helmed the production of one of their albums. From their2000 debut Give’n It to their 2006standout album No Shame, which wasrecorded with 311’s Nick Hexum, No Doubt’s Tony Kanal and Butthole Surfers’Paul Leary, Pepper has explored various methods of recording, always hoping toembody not only their signature style of music but their lifestyle in thesongs. Ohana was recorded last fallin the band’s own Kona Inn Recording Studio in Redondo Beach. The buildingis the former home of Pennywise’s Stall #2 studio and embodies a positive vibefor Pepper, who have recently begun recording other artists in the space.

“It was time for us to take the reins,”Bret says. “We’ve been through the process with several really cool producersin the past and we’ve learned a lot from them. We have the knowledge now andit’s about not being complacent anymore. We wanted to do it ourselves, so it’sfrom our family to yours.”

“I really wanted to simplifyeverything and not overthink things,” Yesod adds. “We wanted to go jam in aroom and hit record. I think we found a great balance in the studio and the endresult was pure Pepper, condensed down to its purest form. It was reallygratifying to be in control of the process from start to finish and know thatwe created every aspect of the album.”

The resulting album features Pepper’ssurf rock songs, showcasing the upbeat, positive vibe elements that make theband so beloved by their fans. There is, as usual, an ever-present sense ofsunshine throughout the tracks, bolstering the music’s sense of optimism. Theparty anthems, the beach hang melodies, the boisterous rhythms are all there,each song carefully crafted to best express sunny moments by the ocean. “Vacation,”a fun, upbeat reggae-tinged number, was co-written by Bret and production duoDiji Parq and seems, to the band, like “the Beach Boys at their goofiest.” Thesoulful “Never Ending Summer” is about taking full advantage of somethingbefore it ends while “Wait” evolved throughout the writing process andeventually became a propulsive crooner that feels like signature Pepper.

“Every song on this album is a greatexample of what we wanted to do,” Kaleo says. “That’s why there are only ten ofthem. We wanted to give the music our concentrated, focusedattention. It’s not about the singles, but about being a whole piece. That’s why we gave it the most powerful name weknow.”

“Growing up in Hawaii your Ohanadefines you,” Yesod says. “It is you. And it's not just family through blood –it's family through spirithood, brotherhood and sisterhood. Ohana is truly thestrongest bond that can ever be made. It’s how we feel about each other asfriends and as a band, and we wanted that spirit to come through in the musicitself. These songs come together to create their own version of Ohana.”

Over the years, Pepper have touredextensively with groups like 311, Slightly Stoopid, Flogging Molly and SublimeWith Rome, and spent several summers on Warped Tour – and this live sensibilityshows on the album, released on the group’s own LAW Records. The band’s music –both live and on their releases – is really about enjoying life and beinggrateful for each experience. They want to give their all to every performanceand share their passion with their fans and with younger artists.

“We’re still growing a lot,” Bretsays. “Our live show continues to improve and evolve and we always give it ourall onstage. We have so much fun playing, even all these years later. And we’vegotten to work and tour with so many different artists. We’ve learned a lotfrom them. Everything we do is done from love. We feel good to all be sittingat a table, laughing, twenty years later. It’s the three of us, just like whenwe were kids. Because we were together long before we were a band and we’restill such good friends. We can’t stop doing this and we don’t want to everstop enjoying it.”
Venue Information:
The Bomb Factory
2713 Canton Street
Dallas, TX, 75226
http://thebombfactory.com