LA’s famous Emo Nite is coming to The Bomb Factory this June for the biggest party yet! Get ready to rock out (or cry (or both, we don’t judge)) to…Read More
Seether - Poison The Parish Tour
10 Years, The Dead Deads
Tue, July 24, 2018
Doors: 6:00 pm / Show: 7:15 pm (event ends at 11:15 pm)The Bomb Factory
This event is all ages
$1.00 from every ticket purchased will go directly to Suicide Awareness Voices of Education (SAVE). SAVE is the leading national nonprofit suicide prevention organization working to prevent suicide through public awareness, education and training. They develop public awareness campaigns used across the country, “best practice” endorsed suicide prevention materials used around the world, and are the only national suicide prevention organization to have developed an evidence-based program for schools. They work with businesses, individuals and families in crisis as well as provide support programs to suicide survivors left behind after a suicide.
For more info please visit: https://save.org/
Thankfully, there are still dedicated, hardscrabble, no-nonsense soothsayers, organizers, musicians, and likeminded creative badasses who’ve defiantly said, “enough!” Like SEETHER, the multiplatinum rock radio anthem-making machine whose albums, songs, and live performances are armed with big riffs, bigger melodies, crunchy tones, and atmosphere.
SEETHER’s existence itself is an act of rebellion, weaponized to cut through the noise with truth telling clarity and undeniable authenticity. Even as no-talent hacks and cartoon social media living mannequins seek to dominate the discourse, SEETHER takes a stand against those who Poison the Parish.
“We want to bring back musicality, playing loud, and the importance of having something to say that you can stand behind,” declares SEETHER front man/co-founder Shaun Morgan. “It’s about honesty in your music."
Poison the Parish, the band’s seventh studio album, arrives just in time on Morgan’s new label imprint Canine Riot Records, via Concord Music Group. Morgan also served as producer (the first time he’s produced an album in its entirety), working alongside engineer and mixer Matt Hyde (Slayer, Deftones, Hatebreed) at Nashville’s Blackbird Studio, which has played host to everyone from Taylor Swift to Jack White.
Make no mistake. Poison the Parish displays no specific agenda, political or religious. But it is personal. This time out, SEETHER restored their sound with the blood, sweat and heaviness that’s long powered their career. In this day and age, keeping it real and doing it for the right reasons is a bold statement in and of itself. At a point where most bands start to waver, SEETHER have made certain album seven is the band’s heaviest yet.
“What it really boils down to is that I am disgusted and horrified by what I see society becoming, the complete idolatry of vapid social media and reality TV ‘stars,’” Morgan explains. “It hearkens back to the days of clergy shaping a society as voices of authority; now we’ve got these people glorifying soullessness and lack of talent. They're preaching this gospel that you can be famous, as long as you have the right face or the right body or the right connections. They aren’t saying, ‘Hey, go out there and write a book, invent something, try to cure cancer.’ It's all about getting the angles right, to create this illusion that your life is great.”
Poison the Parish is filled with newfound ferocity and purpose, all built around Morgan’s gift for classic pop melody and structure. Album opener “Stoke the Fire,” is a focused statement of purpose and the message is clear: SEETHER is a hard rock n’ roll band, first and foremost. Lead single “Let You Down” is a dynamic, groove-oriented earworm. The moody vibe of “Emotionless” is relentless and chilling while “Against the Wall,” brooding and melodic, reverberates with honesty and self-reflection.
Descendants of Nirvana, early Alice In Chains, and Soundgarden, SEETHER continues to create modern, urgent and memorable music fifteen years into an illustrious and highly successful career.
Consider: the South African band has amassed twenty Top 5 singles, three platinum records, a fan-beloved gold-selling DVD and scores of #1 singles including “Fine Again,” “Fake It,” “Remedy,” “Broken,” “Words As Weapons,” “Country Song,” “Breakdown,” “Rise Above This,” “Same Damn Life,” “Truth,” “Gasoline,” “Driven Under” and their infamous cover of “Careless Whisper”. The band has also been recognized by the South African Music Awards, MTV Africa Music Awards, and Revolver Golden Gods Awards.
The relentlessly hard working outfit has averaged 90 performances a year, crisscrossing the globe as headlining mainstays and featured performers on many of the world's biggest rock festivals. SEETHER songs are familiar to anyone who plays Madden NFL games or watch the WWE.
In addition, Morgan co-founded the annual Rise Above Fest, the largest suicide awareness event in the world. Now in its fifth year, the annual benefit concert will take place over two days in July 2017 featuring performers such as Korn, Shinedown, Stone Sour, Skillet and SEETHER.
“We felt so much freedom with this album. We really focused on putting out something completely representative of who and what we are,” says Morgan. “We like to have a good time. That thing you feel when you create and play music, if you lose that to the business side, then you sort of lose the whole reason why you're doing it. This album is, I think, where our hearts have always been and it represents us completely as the band we are.”
Creating something of value and meaning is SEETHER’s cultural antidote, its north star. And with Poison the Parish, they’ve done it with unrestrained power and grace. “Give something to people,” Morgan says. “Make people's lives better in some way. That's really the point.”
"It's funny, I named our last record, [2015's] From Birth to Burial, because I thought it was our final record because it just didn't feel like 10 Years without Brian and Matt. But having them back is really a reunion of the core writing team and this new record actually feels like a real rebirth for the band," says singer Jesse Hasek.
While Vodinh handled drums and guitar on the new album, he's switching to just guitar for the live shows, moving Chad Huff from guitar to bass, while Kyle Mayer stays on drums. "We're bringing it back the way they should be," says Vodinh, who left the band due to family commitments in 2013. "It feels great to be back with these guys and we're in such a better place musically and creatively than ever before."
That better place stems, in part, from a more collaborative writing process. "It used to be that just Jesse and I would write the full song, and the other guys would add a little spice to it. This time, we're starting the writing process as a full band. Sometimes it starts with a riff. Sometimes it starts with a vocal. Our formula is no formula, and it kind of works. And, we work together in a more constructive and healthier environment now," explains Vodinh.
The sixth collaborator was Grammy award-winning producer Nick Raskulinecz (Alice in Chains, Foo Fighters, Deftones). "Nick made us step outside our comfort zone," explains Hasek. "It made for a different sounding record. The one thing we never wanted to do is recreate the same thing over and over. We have always been musicians that love to explore and venture into new horizons."
It wasn't easy, the band admits. "Nick threw us curve-balls and challenged us to re-write stuff and do things we normally wouldn't have done. He helped us cut away the fat and really get to the meat and potatoes of each song. He pushed us and was challenging at times, but it helped us grow."
The result is 10 Years' most dynamic and multi-dimensional record to date. Raskulinecz encouraged the band to strip away some of the vocal production they've grown accustomed to in order to reveal a more intimate side of Hasek. "Historically, we like to orchestrate a lot of vocal parts. We'll have harmonies and layers. This time around, Nick had us strip a lot of that away. There are a lot of moments where the only vocal is just Jesse, and not this big freaking epic thing. It makes Jesse more human. And I think the more human Jesse comes across, the more relatable his lyrics are," says Vodinh.
Raskulinecz also helped Hasek be more straightforward in his lyrics and message. "In the past, I've written a lot of songs that were pretty ambiguous. But on this record, I'm more comfortable being direct and talking about things that are important to me. I'm older and find myself reflecting on the world more especially after having traveled the world and talk to people and really see what's going on," says Hasek.
The title track, "Ghosts," is one such song. "After traveling the world and seeing all the political, social, and religious turmoil, it had me thinking about how many people are judging and preparing for death, but are actually missing life. And, instead of using spirituality for good, a lot of people use it to point fingers and judge. Instead of worrying where we end up in the end, we need to focus on the now and the humanity."
"Burnout" is another observation on mankind. "It's about a person that's right there in the limelight, has every opportunity to see the greatest things in life that are right in front of them, but they are too inside themselves to see it," says Hasek.
"Blood Red Sky" was originally from a solo EP Vodinh had recorded. "The song grabbed my ear the first time I heard it because it had such a different vibe," says Hasek, "but I had a different vocal idea for it so we changed it up. It's about the struggle of maintaining everyday life and how fast your existence just flashes before your eyes. But, it also says that we are surviving and will make it through — that we will always fight through."
On the first single, "Novacaine," Hasek looks inward. "Six albums and a hundred songs in, I wondered if I've already written my best stuff," he admits. "But at some point, you start to get real adult problems. Life has such a numbing to it. You see people go from such optimism in their 20s to having life just beat them down later. I think we all kind of get desensitized and numb to life on some level. That's what this song is about."
10 Years has come a long way since their inception in 1999. The band landed a deal with Universal/Republic Records on the strength of their two independent releases, 2001's Into the Half Moon and 2004's Killing All That Holds You. Their major label debut, 2005's The Autumn Effect, debuted at No. 1 on Billboard's Heatseekers Album chart thanks to their breakthrough hit, "Wasteland," which topped Billboard's Modern Rock Tracks chart, and "Through the Iris," which hit No. 20 on Billboard Hot Mainstream Rock Tracks.
The band followed that success with 2008's Division, featuring co-production work from Rick Parashar (Alice In Chains, Pearl Jam). The album peaked at No. 12 on The Billboard 200 and spawned the hit "Beautiful," which reached No. 6 on the Hot Mainstream Rock Tracks. The momentum continued with 2010's Feeding the Wolves, which was produced by Howard Benson (My Chemical Romance, 3 Doors Down) and bowed at No. 17 on The Billboard 200, while the single, "Shoot It Out," peaked at No. 6 on Hot Mainstream Rock Tracks and spent 25 weeks on the chart.
The group, which toured the world with such rock greats at Linkin Park, Korn, and Deftones, went back to their indie roots with 2012's Minus the Machine on their own Palehorse Records, which was part of Warner Music Label Group. The album debuted at No. 2 on the Hard Rock Albums chart, No. 8 on the Top Rock Albums chart, and No. 26 on The Billboard 200.
"We self-produced our last few records, so it was good to give the reigns over to someone else for the first time in awhile. We had to really let go and trust and I think in doing that, it opened us to new ideas and helped us stretch creatively," says Hasek.
(how to live) AS GHOSTS might be the band's 8th album. But, to them, it feels like a new start. "There was a heavier, darker tone to our last record because we weren't in a good place," adds the singer. "Ghosts has a brighter side to it because we're all in a really happy, optimistic, and excited place about music and life. We're ready to see how the world embraces it."
The Dead Deads explore sounds from 90’s bands like The Pixies and Sonic Youth, to modern metal bands like Mastodon and Baroness, all while keeping their grunge/punk rock roots. They name Nirvana, Failure, Glassjaw, NOFX, Pavement, Weezer, Helmet, Beck and The Melvins in amongst their hugely diverse list of influences.
In December 2014 they wrapped their first national tour with Halestorm, dramatically growing their fanbase through their wild live show and warmth with their “dead corps” at meet and greets. Their debut full-length record “Rainbeau” produced by Brian Carter at Paradox and mixed by Matt Mahaffey/sElf was recorded live to tape in three days and released in November to rave reviews calling the album, “the weirdest wonderland of accessible punk and rock you’ve heard in awhile,” and “one of the better albums of the year.” “Rainbeau” went on to win a Best Rock Album in the Nashville Music Awards.
Named by The Nashville Scene as a band to watch in 2015, the band continued to grow: They christened the new Nashville venue, Basement East, played a live on-air gig for WRLT at legendary listening room 3rd & Lindsley, broke crowd number records at Riverbend Festival in Chattanooga, played a sold-out hometown show with Evanescence on their triumphant return, and partied down on Motorhead’s Motorboat cruise with the likes of Motorhead, Slayer, Anthrax, Suicidal Tendencies, Huntress, and Crobot.
In 2016, the band continued their winning streak, playing the ShipRocked cruise with 5-Finger Death Punch, Seether, Halestorm, and Helmet where they quickly became fan favorites. The Dead Deads also participated in the all-star band The Stowaways with members of All That Remains, Halestorm, Halo Method, P.O.D., Nonpoint, Guns ‘n’ Roses, Megadeth, Art of Dying and many more. Page Hamilton, of Helmet, thought the band was “awesome,” and offered to produce their next record. “For Your Obliteration” was released in the fall of 2016 just after they finished a national tour with Bush and Chevelle. They briefly went home to Nashville to release it to a sold-out crowd, and then finished 2016 on the road, doing their first Canadian run, and putting 7000 miles on their van as direct support for Bush.
2017 got off to a crazy start with another trip on ShipRocked, direct support for Nonpoint, and a run with Alter Bridge and Stone Sour. That summer they released a teaser EP produced by Matt Mahaffey. After shows with their heroes Skid Row, they finished off the year with a hugely successful tour with Seether. On that tour, Shaun invited Meta to duet “Ana’s Song,” and Johnnie to play drums on an emotional version of “Sympathetic.”
The Dead Deads released their fifth studio offering on January 26th, 2018, the day before they began a Canadian/US tour with Stone Sour. The record is called Sketches and Animation. This double EP includes five brand new fully-produced bangers with Matt Mahaffey on the controls, as well as stripped down acoustic versions of the same songs produced by Brian Carter. Easter eggs for fans abound in this inventive sampler that shows the range, skill and growth of one of the touring world’s favorite rock bands.
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