LA’s famous Emo Nite is coming to The Bomb Factory this June for the biggest party yet! Get ready to rock out (or cry (or both, we don’t judge)) to…Read More
Southern Throwdown 6 (Vintage Motorcycle & Van Show)
Mo Robson Band, Matt The Cat
Sun, September 30, 2018
Doors: 12:00 pm / Show: 12:00 pmThe Bomb Factory
This event is all ages
Complete Your Order For a Free Ticket!https://www.thebombfactory.com/event/1759271/
As he enters early adulthood, Dayton begins packing clubs and theaters on the Texas scene with his trio in Houston, Dallas, and Austin. He records his first solo record titled “Raisin’ Cain” for Justice Records with featured guest luminaries, Doug Sahm, Flaco Jiminez and Johnny Gimble that hits Number 1 on the Americana Radio Charts. Jesse tours around the world opening for punk legends Social Distortion, The Supersuckers and X. Jesse is then asked to help arrange and play guitar on The Supersuckers biggest selling record, “Must’ve Been High.” While in Nashville doing press, Waylon Jennings spots him on Nashville TV show ‘Crook & Chase’ and calls Jesse out of the blue at his hotel to play lead guitar on his record, “Right for The Time.” Dayton blows off his flight back to Austin, heads to Woodland Studios where Waylon has sent a car for him, and knocks on the door. Johnny Cash answers it and says, “we’ve been waiting for you.” This leads to Dayton recording guitars on records and film with Cash, Ray Price, Willie Nelson, Johnny Bush and Glen Campbell.
While Dayton is ignored by mainstream country radio, his cult following in the US and Europe continues to grow. A whole new crowd of Americana listening room folks, young college alternative rock fans & disenfranchised aging punk rockers embrace him. He embarks on headlining tours without any tour support from a label.
Just when you thought the story couldn’t get any cooler, horror director/rockstar, Rob Zombie hears Dayton’s record at a party, hunts him down, and calls him to write and record a soundtrack for his film ‘The Devils Rejects’ which lands him in Rolling Stone magazine. Then they co-write songs for Rob’s follow up franchise film, ‘Halloween 2’ (which Dayton appears in playing the part of character ‘Captain Clegg’). Then Dayton writes and records songs for a third Rob Zombie film (this one animated) titled, ’The Haunted World of El Super Beasto.’ After years of pounding the pavement day-in and day-out, Jesse buys a house in Austin, and heads back on tour in his 40-foot redneck RV with his band of hillbilly punks.
Dayton has had over 50 songs licensed to film and television and even ended up writing and directing a horror film shot in New Orleans called ‘Zombex’ starring Malcolm McDowell, Sid Haig, Lew Temple from Walking Dead and John Doe from the band X. The film was sold to a distributor and got a theatrical release. After stockpiling songs during his film work, he heads into the studio to record “The Revealer” (back where it all started at Sugarhill Studios in Houston), and the first single “Daddy Was A Badass” becomes a hit on SiriusXM’s Outlaw Country channel. As this is happening, Dayton gets a call from the aforementioned, John Doe and is asked to fill in for guitarist Billy Zoom on 40-city U.S. tour with the original line-up of iconic punk band X while Zoom was taking time away from the band to undergo cancer treatment.
Jesse Dayton has been on tour non-stop for four years all over the US and Europe. His new record “The Outsider” was literally recorded while on tour in Atlanta, Denver, Nashville and Austin and mixed by Grammy Award winning engineer/producer Vance Powell (who has worked with the likes of Sturgill Simpson, Chris Stapleton, Jason Isbell and Jack White). About “The Outsider” Dayton says, “It’s a lot like ‘The Revealer’, but even more stripped down with some sweet acoustic guitar songs and some raw electric guitar work”. All the influences are there; the George Jones-inspired singing on “Changin’ My Ways,” the Outlaw country twang of Waylon and Jerry Reed on “Belly of the Beast,” the angst and energy of The Clash and X on hillbilly protest song “ Charlottesville,” and the deep east Texas blues and Cajun rockabilly of “May Have To Do It” and “Hurtin Behind The Pine Curtain.” While there are many different sides to him musically, this all rolls into one big hybrid that Jesse Dayton has been honing for over 20 years.
Pick up ‘The Outsider’… it’s unlike anything that’s out there.
With the release of Hillyer’s debut solo album, the Lloyd Maines-produced If These Bones Could Talk, we get to see a new side to Hillyer’s country-gold vision, but to be clear, his solo foray isn’t the end of Eleven Hundred Springs, which was formed in 1998, nor is it the death of the rockabilly-flavored Matt the Cat Trio. Hillyer as a solo artist with a fresh group of players, including some buddies from Eleven Hundred Springs, is merely a fascinating, new chapter to a musical life that’s never been conventional, and isn’t going to be anytime soon.
With 11 new songs, all written or co-written by HIllyer except for his rocking, stomping cover of the Everly Brothers’ classic the “Price of Love,” a rare occurrence has taken place. The leader of a popular, established band has branched out to go on a personal, musical vision quest, and has come back with a sound that satisfies on all levels. In some ways, These Old Bones resembles the stone-cold country of his band, but the new collection has increased the sonic value of everything he’s affiliated with, thanks to spreading his tattooed, whiskey-soaked wings a bit.
The notion for a solo record came from a wonderfully personal spot that’s as honest as it is meaningful to Hillyer.
“I was very close with my Grandmother, he says. “She was always pushing me to do it. She loved Eleven Hundred Springs, but she really wanted me to make something with my name on it. So, over the years, it started to seem like a good idea as I did more solo acoustic shows. It also seemed like a good idea for me to have a CD of my own to sell at some of those shows. Then when these songs started to come out in my writing, I really wanted to make this happen.”
While cuts such as “Home is Where the Heartbreak Is” certainly recalls a familiar Buck Owens-esque brightness and “Try Not to Take it So Hard” has the classic Texas Tornadoes playfulness some of Eleven Hundred Springs best tunes boast, one listen to “Dancing With the Moon,” a smooth, soft romancer of a tune, and it’s clear Hillyer’s found another gear of country storytelling that is only the beginning of a new era for him, whether it’s solo, as a trio or leading “Eleven Hondo.” The same can be said for the begging-to-be-two stepped-to “I Still Have a Lot of Falling Left To Go,” as it’s gentle fiddle leads Hillyer through a piano-twinkling sawdust shuffler that doesn’t kick the footlights as hard as some of his other band’s best tunes do.
Hillyer acknowledges the similarities between his past band-related works, but highlights the differences in a manner that’s clear with drama-free simplicity.
“To me it always boils down to the material, he says. “I know there are songs on this album that I would not have put on an Eleven Hundred Springs album. Even the songs that would fit like a glove on an Eleven Hundred Springs album are, for the most part, rooted in very personal places. When the collection of these songs started to really come together it became apparent to me that the majority of them felt like something I was trying to say independent of a group.”
The Bomb Factory
2713 Canton Street
Dallas, TX, 75226