Delain, Sabaton

Tue, May 5, 2015

Doors: 7:00 pm / Show: 8:00 pm

$39.50 - $49.50

This event is all ages

A new era begins
NIGHTWISH has always stood for virtuoso perfection. They are able to evoke fantastic dream worlds, fade out time and space, and touch you deep inside with their majestic symphonic compositions. Vision and temptation, love and passion, devotion and blood – this Finnish band also has the courage to aspire to new creative and innovative ventures. Since their formation in August 1996, they have risen long ago to become the biggest Symphonic Metal band. It is no secret that main composer and keyboard player Tuomas Holopainen is a versatile songwriter, who lives for his music, dedicates himself to his art and this seeps through in every single note of his work.
Four years have passed since the gigantic 'Imaginaerum' album - a lot has happened and still even more will happen, because the time is right for a new chapter in the history of the Suomi-Symphonics. A chapter, which will set new standards and will start a magic trip into a spectacular parallel universe; so overwhelming, so epic, so beguiling. NIGHTWISH connect past, present and future to a flawless whole. It is a time for a new era. It is a time for Endless Forms Most Beautiful.

“They present themselves as a unity - much more than on all albums before!“

Endless Forms Most Beautiful is the first NIGHTWISH-studio album to feature Dutch singer Floor Jansen (REVAMP, ex-AFTER FOREVER) - the splendid chanteuse has been a full-time member since Oct 2012. On the imposing 2013 live release Showtime, Storytime the amazing power woman improved the sound with her beautiful voice while lending the songs, once more, a special grace. It was clear that the Dutchwoman would catapult the songs vocally on a new, even more powerful, level.

"The recordings of the more soft, very deep and less operatic song parts were a great challenge for Floor, because she had never sung before on an album in that way," remembers Tuomas Holopainen.
"Nevertheless, her enthuisiasm brought out the maximum in her versatile voice."

On the drums there is also a new face: On account of health problems, long-time drummer Jukka Nevalainen has had to take a break and is replaced by his good friend Kai Hahto (WINTERSUN) for touring duties. Finally the quintet was extended by the entrance of multi-instrumentalist Troy Donockley. His new colleagues fill Holopainen with pride: "The new members were completely motivated and contributed large parts to the arrangements. They worked as a unit - much more than on all the albums before!"

The beauty of nature
This latest album was recorded at the Röskö Campsite in Kitee, and Petrax Studios in Hollola. "The recordings went – apart from Jukka’s illness and a few broken ribs in the buzzer camp - smoothly," Tuomas remembers.

"It was a huge advantage that all band members were on site. We developed an organic “we”-feeling. Moreover, we were able to focus the arrangements around the vocals. This constant presence also had a positive effect on the length of the recordings. We only spent a few months in the studio, whereas on the `Once´ - album, we spent more than half a year in the studio.”

The new piece of silver was produced once more by Tuomas, together with the whole band & Tero "TeeCee" Kinnunen. Mikko Karmila was responsible for the mix in the Finnvox Studios, in Helsinki, and Mika Jussila mastered the album. The orchestral recordings took place as usual at Angel Studios in London with Pip Williams, along with the choir and percussion.

"The orchestra is extremely prominent in some songs. Nevertheless, it still feels like it operates in the background," describes Holopainen. "However, three songs on the record feature neither the orchestra or a choir."

The Cover artwork is the work of Toxic Angel again, a good friend of the band, who did an amazing job and excellently transformed the message of the lyrics. "Here it was important to us to integrate as many as possible different botanical species and animal species, to underline the topic of the record. Primarily it was a matter of showing the beauty of nature and the real world."

The origin of life
The current release of the Suomi-Metal-Heroes, which was based on the quotation above by Charles Darwin, was also inspired by other famous scientists like Richard Dawkins or Carl Sagan.

Endless Forms Most Beautiful encloses eleven epic, immensely diverse compositions, which were mainly composed by Tuomas. Because the whole band is interested in the subjects of science, the lyrics lean on the areas of biology, evolution and science: "It focuses on the fact that all living beings on earth are related with each other, own a common origin as bacteria and that’s why everybody is on the same level," reveals Tuomas. "However, this should not degrade humanity, but symbolize merely the connections of all kinds!"

A mysterious trip by evolution
The musical excursion begins with the rapid "Shudder Before The Beautiful," which symbolizes the sublimity and grandeur of the world. The famous evolutionary biologist and author Richard Dawkins appears at the beginning in a narrative role. "He did not know NIGHTWISH before," Tuomas admits, "but after listening to some songs, he really liked our music and accepted our invitation with pleasure."

"Weak Fantasy" follows, which seems to be the hardest song of the album according to Holopainen beside "Yours Is An Empty Hope." Bassist Marco Hietala also contributed many ideas to this number. The wonderful and touching 'Élan' is the first single. "The underlying subject of the song is nothing less than the meaning of life, which is different for all of us. It is important to surrender yourself to the occasional free fall and not to fear the path less travelled by," the songwriter philosophizes.

"Our Decades In The Sun" carries the listener softly into quieter fields, followed by the folky-medieval "My Walden." That number stands for the open-endedness of every person and should inspire one to have a look to the individual world in front of you. The origin of all life, inspires the outstanding title track "Endless Forms Most Beautiful." "Here the evolution of life on earth is reflected," Tuomas says. The next song is called "Edema Ruh" and Tuomas was heavily inspired by the fantasy author Patrick Rothfuss in whose imaginary world, musician and actors travel from village to village, make music and play theatre. "Alpenglow" is a kind of love song, where different variations of being after death are described and illustrated. Before the spectacular finale, an instrumental piece, impresses: In "The Eyes Of Sharbat Gula" orchestra and choir shine in perfect symbiosis, generating a cinematic soundtrack mood and bewitching with a mystical-melancholic atmosphere. The crowning end is shown by the monumental 24 minutes monster "The Greatest Show On Earth," which is divided into five chapters and enclose the complete evolution - from the formation of Planet Earth until the distant unknown future.

"This is for me the best NIGHTWISH song of all time," Tuomas says. And the Finns are right, because in this Richard Dawkins takes part again and completes that overwhelming, breathtaking and mysterious piece of art in a perfect way. NIGHTWISH presents themselves stronger and more self-confidently than ever. By now it is chiseled in stone: Endless Forms Most Beautiful is a virtuoso legacy for eternity. NIGHTWISH were never better.
Delain is: Charlotte Wessels, Martijn Westerholt, Sander Zoer, Otto Schimmelpenninck van der Oije and Timo Somers.

A lot has happened with Dutch band Delain since they unleashed their second album April Rain on the masses in 2009. An extensive headliner tour of Europe was followed by euphorically received tours of North and South America. The live impressions and pure energy that all this activity brought the band is now clearly audible in the material featured on their new material, the band's third. Delain took the time they needed to make We Are The Others, by far the most powerful, atmospheric and irresistible album of their career!

All this despite the fact that the old music biz adage still holds…ah yes, the "difficult" third album! Delain's musical mastermind and keyboardist Martijn Westerholt nods in agreement. "For me these were the recording sessions from hell! I was working with a producer for the first time, so I had to let go of so many things. That's not easy for a control freak like me!", says Martijn, who mastered the situation brilliantly, despite any difficulties. Singer Charlotte Wessels also laughs and says, "Yeah, I already heard the same old wives' tale about the second album! But honestly, we have the perfect songs, songs that will blow away everything both live and on CD!"

With their 2009 album, Delain had actually already arrived at a position that other bands work for years or even decades to get to. They firmly established a foothold at the very top of their genre alongside contemporaries like Evanescence and HIM. Now this Dutch formation is an indispensable part of the ever-growing, evermore exciting mainstream market for popular rock music of a darker nature. Against this backdrop, the expectations for the follow-up album to the frenetically acclaimed April Rain were very high indeed, both from the Delain fan base and from the band themselves. With We Are The Others, Delain have not only met these high expectations; they have far exceeded them. And they've made it all look easy in the process, broadening out of a niche market and audibly developing musically while remaining true to the successful sound that they lovingly developed over the years. While Martijn has been primarily responsible for songwriting duties, with Charlotte in increasing matter over the last two albums, for We Are The Others they relied more heavily than ever on team effort together with their musical partner Guus Eikens, also involving arranger Oliver Phillips in the composing department, stretching their experimental wings to try new things and ultimately came up with a more multifaceted overall sound than ever before.

The band spent most of last summer with the "Tripod" producer-team, consisting of star producer Jacob Hellner (Rammstein, Clawfinger, Apocalyptica ...) and the Epicentre-Team (Fredrik Thomander und Anders Wikström / Scorpions, Backyard Babies...) in the TriPod-Studios in Stockholm, taking two months to collectively fine-tune the material for We Are The Others. "Never before have we gone as much into detail in writing the songs" Charlotte reports, referring to the multiple writing-session on songs and lyrics in Stockholm, where she was recording her vocals parallel in a second studio. "Jacob works very instinctively and has a great nose for good songs. At the same time he is the most critical producer I've ever worked with! I was around one day when they were recording the bass. Our bassist had to play the same riff over and over again, virtually for hours in a loop. Jacob listened closely and said, 'I hear a boring note in there somewhere. Try to fix that!' It was fucking hard to work with him, but it was also unbelievably fruitful and inspiring. The result is that what you hear in the songs is a highly tuned, compact band that plays well together, not some side project. We're incredibly proud of the result!"

Martijn Westerholt, a workaholic himself, agrees entirely. "Our drummer was sent for two weeks of drum rehearsals to the Backyard Babies rehearsal studio located nearby. Jacob pushed every one of us to our absolute limit and in many cases beyond! He really knew how to get the maximum out of us individually, out of Delain as a band and of course out of our songs!

You can find more on the recording sessions in the band's video studio at

While the title We Are The Others may seem mysterious and conspiratorial at first, there is a very serious background: The lyrics to the title-track were inspired by the hate-crime against a British girl named Sophie Lancaster in 2007. She and her boyfriend were beaten comatose by a gang of youths, because of their goth looks. Sophie died from her injuries (check also: This tragedy sent shock waves throughout the world. DELAIN's response to this tragic case is expressed through the song We Are The Others.

Charlotte says: "Sophie's story hit close to home for us, being part of a subculture ourselves but it's in no way an individual case; people are discriminated against -all the time- to the point of violence - based on their cultural or ethnic background everywhere. We Are The Others is our own 'outsiders anthem' for everybody who, deliberately or not, diverts from the norm. Whether it's by looking different, acting different, or choosing a different path in life then is expected from you.

Delain have taken the same kind of path with We Are The Others. The band is armed with true musical hooks in tracks like "Are You Done With Me?" and "Get The Devil Out Of Me". And "I Want You" may well be the most macabre love story of the year, as Charlotte explains with a wonderfully diabolical laugh. "Although it lyricly starts like your typical romantic song, this tragic love story ends with the leading character running over her lover with a car; If she can't have him, then no one else damn well will! There aren't any actual autobiographical traits to the song – my boyfriend is doing fine (for now) – but it definitely contains some dark, most vengeful payback fantasies I admit."

One of the album's less typical moments for a band of this genre is "Generation Me", where Delain demonstrate their eagerness to experiment as well as their topicality. "It's about the so-called 'iGeneration' where everyone's putting self-branding and this utopian kind of self-representation in front of everything else, we ourselves -whether we like it or not - are very much part of this generation, and in this song we make fun a little out of everyone taking themselves so seriously. With this kind of subject matter it's easy for us to be inspired. My lyrics have always been influenced by real life, from what happens around me" lyricist Wessels explains. This is also evident in Delain's powerful number "Where Is The Blood", with none other than Fear Factory shouter Burton C. Bell on guest vocals.
"I met him at the Wacken Open Air festival. We immediately got along great and exchanged e-mail addresses. I think his raw voice is really perfect for the insane scream part on this track!"
Sabaton was formed back in 1999 in Falun, Sweden when the members of a band called "Aeon" reformed and rearmed for the upcoming first recording in Moon Music Studio. The founding members of Aeon: Rikard, Pär and Daniel Mullback had joined forces with Oskar and Joakim earlier during the year which had seen a few line-up changes and the guys decided on a fresh start and changed the name of the band to Sabaton. These are the same guys you see on stage today.

In 2001 the band was ready to record more material, and this time they turned to Tommy Tägtgren who were to play a part in the creation of the Sabaton sound, and together they recorded the second half of the bands demo compilation "Fist For Fight" that was released by Underground Symphony later that year.
When 2002 arrived the band returned to Abyss studios and Tommy Tägtgren to record the debut album "Metalizer" that was to be released later that year, but didn't end up in the record stores until 5 years later.
In 2004, after countless hours of rehearsals and dozens of shows the band got tired of waiting for the release of "Metalizer" that never came and decided to take matters into their own hands.

Primo Victoria – The Battle Begins

Without the support of a record label Sabaton returned to Abyss studios and Tommy Tägtgren and recorded the album "Primo Victoria" which loosely translated means: The first victory, or: The beginning of the victory.
A fitting name, considering it represents a new beginning for the band and also marks the start of the typical war themed Sabaton lyrics.
The band signed up with the label Black Lodge later that year and in 2005 "Primo Victoria" was released

In early 2005, just before the album was released, Daniel Myhr was recruited into the band to relieve Joakim of his keyboard duties and the band was now complete.
This year saw the first Sabaton show outside of Sweden and there were many more just around the corner.
In January 2006 the band headed back into the studio for 3 weeks of intensive recording sessions with Tommy Tägtgren and recorded the album "Attero Dominatus" just before heading out on Sabaton's first major European tour as supporting act for Edguy and Dragonforce.

Attero Dominatus – The Battle Rages On
Venue Information:
The Bomb Factory
2713 Canton Street
Dallas, TX, 75226