LA’s famous Emo Nite is coming to The Bomb Factory this June for the biggest party yet! Get ready to rock out (or cry (or both, we don’t judge)) to…Read More
97.1 The Eagle presents
NYEVIL: HELLYEAH, SEVENDUST
Nothing More, Red Sun Rising, Islander, Even The Dead Love A Parade
Thu, December 31, 2015
Doors: 6:00 pm / Show: 7:00 pmThe Bomb Factory
$43 - $132.10
This event is all ageshttps://www.thebombfactory.com/event/972455/
Having produced track after track of heavy-hitting, in-your-face, feel good rock and roll on their previous two albums (2010's STAMPEDE and 2007's self-titled debut), Band of Brothers sees HELLYEAH taking a slightly different musical direction. Drawing on their former bands' collective metal roots for inspiration, the influences and style of Mudvayne, Pantera, Damageplan and Nothingface are immediately recognizable in tracks such as "Band of Brothers," "War In Me" and "Rage Burn," while the party anthem "Drink, Drank, Drunk" retains the essence of earlier HELLYEAH.
Frontman Chad Gray comments, "I'm really excited about what we've done on this new album. I've always separated Mudvayne and HELLYEAH as much as I could, even though it was my voice. Melodies, lyrics and just the overall style of writing were different. With Band of Brothers, I just quit being afraid of who I am in relation to this band. I think we've all really gotten back to the original roots of what we've done individually and brought it together on this album. As an artist, as long as you're painting with your own brush, no one can compare or challenge you. I just painted with a bigger, heavier brush than I had with HELLYEAH in the past. I think this is what fans have always expected to hear from us, and now were giving it to them."
Vinnie Paul echoed the sentiment in a recent interview for Loudwire.com : "On our first two records, we were a new band. We really wanted to branch out and expand and experiment with all different styles. We all come from traditional metal bands and backgrounds, so it was a great breath of fresh air to play in a band that was rock 'n' roll, blues and Southern rock. We got that out of our system and got really focused on going back to our metal roots. It's heavy, focused, groove-oriented and I'm excited about it."
Jeremy Parker said, "It's impossible not to have a good time jamming this record. It has the anger and violence of Pantera and Mudvayne, but a party vibe that can
only be HELLYEAH!"
"For the first time in our careers, the avenues were swept off with all of the trash we had on them before," admits Lajon. "We didn't have certain people's hands in our pockets or helicoptering the situation to what they thought it should be. We took a lot of things in our own control. As a result, it's a new chapter for us."
"That's why the record is called Kill The Flaw," explains Clint. "It's basically about cutting off the baggage from your life and career and trimming down the excess that holds you back. We've had a lot of struggles with the industry. We changed everything about our business. It's a rebirth in a sense, as far as what we want to do, how we're going to do it, and who we're going to it with. We've learned from our mistakes."
There were a few other significant changes as well. Instead of holding up in a hotel, Lajon, Clint, and John rented a house together. The sessions became "24-hour" as the guys cooked breakfast together, hit the gym, and then locked themselves in the studio until midnight every day for five weeks. They also penned the music alongside one another in the studio, jamming everything out in the same room.
"It made everything feel like it did when we first started," smiles Lajon. "We went in, sat down, looked at each other, picked up the instruments, and began rocking out. Recording like an actual group gave everything more substance."
"I wanted to embrace what Sevendust is," declares Clint. "It's the contrast of the melodic vocal over a very percussive, heavy musical landscape. That's what we've always done. That's one of those things our fan base really connected to. They're our life's blood.
There's no question. We allow our fans to have more of a voice than other bands. We love putting out records that people can say, 'This what they do. This is the type of band I want to support.'"
The first single and album opener "Thank You" upholds the pillars of their signature style with a buoyant guitar groove, bombastic drums, and soulfully striking refrain. "There's always someone trying to keep you down," sighs Lajon. "At the end of the day, that negativity makes you stronger. You're still going. It says, 'Thank you for putting me down. Thank you for making me work harder. Thank you for hating!'"
Meanwhile, "Death Dance" builds from an eerie clean guitar into a towering distorted verse that's as robust as it is raw. Everything converges on an undeniable vocal chant during the chorus. "That's the summer dance jam right there," chuckles Lajon.
"It's based around the social media era we're in with all of its vanity and ego," reveals Clint. "We all get caught up in it. People try to enhance their looks without putting any energy towards giving back. The dead are society staring at their iPhones. You've got to see the world. You can't look at a screen for that."
Then, there's "Not Today," which is equally stirring and soaring with its six-string beatdown and vulnerably vibrant vocals. "That's another one about change," continues Clint. "It's us as a band basically making a choice to change who we work with and how we do what we do. It's us addressing things that have stopped that from happening. You're lashing out at someone and explaining how you're going to be a different version of yourself."
Thankfully, they're still Sevendust through and through, and that's what forged one of hard rock's most diehard audiences. 2014's acoustic offering Time Traveler's & Bonfires saw an overwhelming response from that community, being quickly funded through a highly successful PledgeMusic campaign. Just a year prior, Black Out The Sun entered Billboard's Top Hard Music Albums chart at #1 and landed at #18 on the Top 200. They kicked off their illustrious career with an untouchable string of three gold albums, beginning with their self-titled 1997 debut and continuing with Home in 1999 and Animosity in 2001. Along the way, they've sold out shows everywhere and given unforgettable performances at the likes of Rock On The Range, Woodstock, OZZfest, and Shiprocked! to name a few. However, the new chapter starts now.
"I hope people know we're the real deal," concludes Lajon. "That's the most important thing. There's substance here. That's why everybody keeps coming back, and we're beyond thankful for that."
"I want everybody to walk away surprised," Clint leaves off. "I hope it's better than they imagined, and they get this reassurance that we're all connected. We want to give people fresh, quality music. I hope they feel prideful they've stuck with us through all of these years." — Rick Florino, July 2015
Akron, Ohio’s Red Sun Rising—Mike Protich [vocals/guitar], Ryan Williams [guitar], Dave McGarry [guitar/vocals], Ricky Miller [bass/vocals], and Pat Gerasia [drums]. —proudly carry on that tradition with their full-length debut, Polyester Zeal [Razor & Tie].
“It’s not today’s rock, but it’s a new alternative,” declares singer and guitarist Mike Protich. “We want to uphold the foundationwith subtle nuances of what’s familiar. It’s fresh because we’re telling our story through that framework.”
Sharing that story has been the goal since first breaking onto the scene in 2012. Akron is no stranger to rock ‘n’ roll, serving as home to everybody from Black Keys and Devo to Chrissie Hynde. That buzzing industrial landscape remains fertile ground for musicians to this day.
“A lot of people don’t realize that Akron’s a really cool, artsy community,” says Mike. “There’s great food, local beers, and culture. Because it’s somewhat off the national grid, there’s a real tightknit music scene. We spawned off of that. There are a lot of factories around and the grit seeps into the music too.”
The work ethic is another trait Red Sun Rising embrace. Through tireless gigging, they built up an impressive local fan base, soon attracting the attention of multiple labels. Razor & Tie rushed to Akron in the Fall of 2014 and signed the band following a sold out hometown show. “I guess we played well that night,” chuckles Mike.
The band headed to Los Angeles shortly after to cut Polyester Zeal with celebrated producer Bob Marlette [Black Sabbath, Shinedown, Seether]. They managed to siphon the pure, potent, powerful guitar chemistry, towering vocals, and muscular rhythms into the record’s 11 tracks with all of the “grit” intact.
“Bob helped us execute creating the record we wanted to make for a long time,” adds the frontman. “He knew how to achieve it. His philosophy was, ‘You guys have all the colors to paint the perfect picture. I’m just going to show you how to use them.’ That was cool.”
The first single “The Otherside” sees thick clean guitars clash with an unshakable refrain that’s as airy as it is anthemic. Penned by Ryan and Mike, it’s an immediately inviting introduction into the group’s sound.
“You can take it a couple of different ways,” he explains. “While you’re here on earth, it doesn’t matter what troubles you go through—you’re always going to come through on the other side. You could also look at it is just overcoming life’s obstacles because of the support you receive from those around you. It grabs you and shows our vibe.”
“Emotionless” commences with a calculated blues-inspired riff before spiraling out into a macabre fairytale that’s equally heavy and hypnotic.
“I had a nightmare with a really creepy storyline,” recalls Mike. “I vaguely remember it now. This woman I loved was sleeping, but I couldn’t wake her up. She was laying there motionlessand emotionless. I linked those two things. I don’t know what’s scarier that or the fact Ryan and I put it together in twenty minutes on an acoustic in his mom’s basement when I told him!”
Album opener “Push” steamrolls ahead on a battering ram of distortion and a slick, sputtering verse, while “Imitation” highlights the inimitable incendiary interplay of six-stringers Ryan and Dave.
“They went back and forth on the solos in that one,” Mike goes on. “Bob panned it so if you listen to it in stereo it’s like you’re watching on stage. You hear each solo go to the side of the stage where they’d be.”
Elsewhere, “Amnesia” serves as a declaration of carpe diem bolstered by fiery fretwork and another expansive harmony. “It’s about owning every moment that you’re living because each instance defines you as a person,” he exclaims. “You don’t know what’s coming or what will make a difference, so you have to embrace all of it. It won’t be there forever.” However, Polyester Zeal will be, and it firmly establishes Red Sun Rising’s place in rock.
“The title sums it up,” concludes Mike. “Zeal is something you strive for, while Polyester is obtainable. The juxtaposition is, ‘What’s your obtainable dream?’ Ours is to tell stories through these songs. Hopefully, it makes you feel something. That’s what rock is supposed to do after all.”
The thrilling trip for this quartet began in the foothills of Greenville, S.C. with the release of their Victory Records debut Pains. in 2013. Now, a lethal combination of alt-rock, punk and nu-metal that recalls the finest of bands like Refused and Deftones, ISLANDER have released their full length Violence & Destruction to critical recognition. Comprised of members Mikey Carvajal on vocals, Andrew Murphy on guitar, drummer Eric Frazier and bassist Chris Doot, ISLANDER recorded the album with producer Cameron Webb (SILVERSTEIN, ALKALINE TRIO) at Hollywood's NRG Studios. It is twelve tracks of American rock anthems spawned by individual struggle and organic affection. The result is a refreshing and unpredictable performance of cutting edge, modern-day rock with classic punk overtones fused with groove laden beats.
Violence & Destruction awakens the nerves and lets life in. From the blockbuster single 'Coconut Dracula', to the outlaw collaboration of 'Criminals' with P.O.D.'s Sonny Sandoval and the fist-pumping title track, ISLANDER sonically 'demonstrate that fragile dichotomy between softness and weight in a riff', as described by Noisey/Vice.
Already this year, ISLANDER have been part of the Rockstar Energy Drink Mayhem Festival and their full length release Violence & Destruction was deemed one of Revolver's 'Most Anticipated Of 2014'. The proof is evident in the response.
Alternative Press confirmed that ISLANDER was one the '100 Bands You Need To Know' as 2014 continues to shine with festival confirmations at Aftershock in Sacramento and Louder Than Life in Louisville.
The band made the most of the Mayhem Tour, not only by generating tens of thousands of fans across the festival tour's routing, but also with other bands on the bill - most notably KoRn, who's members were found to be onstage watching ISLANDER's incendiary performances each day. Is this an indication of a collaboration to come? Time will tell. In the meantime, several of the very bands that inspired them, are professing their affection for ISLANDER, including KoRn, Papa Roach, and P.O.D.
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2713 Canton Street
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